A Little Bit Of History – Kodak 133 yrs Old

Kodak Camera

I think it’s fair to say most people today have a digital camera even if it on their phone.  They love taking photographs whether it’s just something that catches their eye, a night out with friends or a special occasion!  But how many of us realise how much we owe to Kodak and the pioneering work they did?

  • George Eastman Kodak’s founder produced the first roll of camera film.
  • George Eastman invented the most significant commercial camera ever produced.
  • 1897 Kodak introduced the folding camera, it was the first of a popular range of folding cameras using roll film.  Between 1914 – 1934 Kodak sold a staggering 300,000 3A Autographics.
  • 1900 George Eastman marketed the original Brownie with a price tag of £0. 5s. 0d (5 shillings in the UK or $1 in USA)
  • 1935 Kodak introduced Kodachrome the first 35mm colour film.
  • 1969 a Kodak camera was used during the moon landing.
  • 1975 Steven Sasson spent 10mths in a research lab creating the first digital camera with 0.1megapixels and approx size of a toaster.

There’s no doubt Kodak have given a lot to photography which is why I think it’s a shame that it had to file for bankruptcy protection.

The quote below is taken from an article on the BBC’s website, if you want to read the full article click here.

Announcing the move to seek bankruptcy protection, Antonio Perez, Kodak’s chairman and chief executive, said: “The board of directors and the entire senior management team unanimously believe that this is a necessary step and the right thing to do for the future of Kodak.”

If you would like to see Kodak’s Development in pictures please click here.

Are Londons Meet-up Group Shoots Right For You

During the past few months I’ve enjoyed going to some of London’s extensive photography meet-up groups. These have allowed me to work in other photographers’ studios and meet new models and MAUs. I’ve really enjoyed my experiences with the meet-up groups but I’m starting to feel the limitations of this approach.  Although I will still continue to attend the groups it’s important to keep in mind some the limitiations of the groups, such as

  • they are quite general in their approach,
  • they are aimed at a wide audience and don’t really allow you to fine tune the lighting or the model to your needs and aims
  • there isn’t time to allow everyone to change the lighting to their requirements, especially if you would like to experiment with different lighting styles

Although you don’t have full control over the lighting setup there are some things you can do to workaround the limitations.

  • changing the power of the lights
  • change the height  of the lights
  • ask your model to change her position in relation to the light

These will affect how the light falls on your subject changing the shadows, hardness/softness of the light and final look of your image.  And don’t forget the modifiers you use will also have an impact on the final result.

As mentioned above the meet-up groups aren’t working as well as they did for me, so I’ve decide this year I will take the plunge and look for my own studio.  Watch this space!
I’ve included some of the images from various workshops and I hope you enjoy looking at them.

Christmas Is Over

Well Christmas is done and the New Year is here already!!

I got three fantastic presents this year

  • an Elinchrom Rotalux deep octabox
  • a Canon WFT-E4 II wireless file transmitter grip (I’m in love)
  • Lastolite Tri-Flector II with stand

To top it off I also ordered myself an Avenger boom arm from Damien Lovegrove, which arrived on Friday.

In the coming months I’ll post some hands on views about how I get on with my new gear.

Long Exposure with a 10 Stop Filter

My Approach to Long Exposure

Long exposures are achieved by reducing the amount of light hitting the camera’s sensor, the less light the longer the shutter can remain open without over-exposing your image.  There are several ways of controlling this – aperture, shutter speed, ISO, filters, time of day or a combination of any or all of these.

Aperture – measured in stops and referred to as f numbers.  The smaller the aperture the less light hits the sensor, the larger the aperture the more light hits the sensor.  It’s important to remember the lower the number the larger the aperture, the more light, so f4 will let more light in than f16 resulting in a faster shutter speed/exposure.

Shutter speed – the longer the shutter is open the more light will hit the sensor.  In the correct conditions you can have very long shutter speeds.  I have some of up to 20mins (taken at night by moonlight) and I have seen images with much longer exposures.

Filters – there are many different types of filters, coloured, neutral density (ND’s), grads, soft focus, polarisers etc..  The main ones I use are ND’s, polariser and my favourite a 10 stop filter.  ND filters come in different strengths – the most frequently used are .3 = 1 stop, .6 = 2 stops, .9 = 3 stops.  I should explain that I haven’t referred to my 10 stop as an ND because it isn’t.  The 10 stop will leave a slight colour cast on your images which can easily be corrected with a little post production. This is because it is designed for industrial and scientific photography of extremely bright subjects; the glass is so dark you can not see through it.  This is also the reason why you need to ‘set-up’ your shot before you put the filter on your lens, explanation below under Daytime Shooting.

Time of Day – early morning (pre-dawn through sunrise), late evening (sunset through dusk) or night all have low levels of light and will allow for long exposures.

ISO – this controls how sensitive the camera sensor is to light, the higher the ISO number the more sensitive the sensor is to light.  The ISO speed works together with the shutter speed and aperture to give you the correct exposure for your image.

It’s worth remembering that shooting with a high ISO can introduce noise to your image.  A basic rule of thumb is that the smaller your sensor the greater the noise for the same number of megapixels, e.g. 8 megapixels on an APS (half frame) sensor will show more noise shot at ISO 800 than 8 megapixels on a full frame sensor image shot at ISO 800.  This is because to get the same number of pixels onto a smaller sensor the individual pixels are smaller and receive less light creating more image noise.

Once you have chosen your scene and effect your after you’ll need to decide how your going to achieve your desired result.

Daytime shooting with a 10 stop filter - to get a long exposure in daylight you will definitely need to use filters to reduce the light getting to the sensor.  I frequently use my 10 stop.  During bright sunshine this can give exposure times of 20 seconds or longer shooting at ISO 100, F10.  Before you attach the 10 stop to your lens compose your shot, focus, set your aperture and make a note of the exposure time.

If your camera isn’t already in Manual mode you will need to set it to manual, this includes switching off auto focus on your lens.  If your exposure time is going to be greater than 30 seconds remember to switch to the Bulb setting on your camera.  Check your composition again and ensure all the settings are correct.  When your happy that you have the correct settings you an attach your 10 stop, taking extra care not to move the lens or camera.  Open the shutter for the require time.  Check the result not forgetting to look at the exposure graph on the cameras LCD.  Fine tune your settings and re-shoot if required.

Calculate exposure required for use with a 10 stop filter
Using the table below (reproduced from Wikipedia)

1- Select f number – e.g. f11
2 – Check exposure time either with a light meter or on your camera
3 – Under the f number column locate the exposure time – e.g. 1s
4 – Check the EV number in the far left column – e.g. 7
5 – Subtract 10 from the EV number (because this is for a 10 stop filter, change number to subtract as required) e.g. 7 – 10 = -3
6 – This will give you your new EV number e.g. -3
7 – Locate your new EV number and move across to the required f number (f11 for this example) to find your exposure time e.g. 16m

EV f-number
1.0 1.4 2.0 2.8 4.0 5.6 8.0 11 16 22 32 45 64
-6 60 2 m 4 m 8 m 16 m 32 m 64 m 128 m 256 m 512 m 1024 m 2048 m 4096 m
-5 30 60 2 m 4 m 8 m 16 m 32 m 64 m 128 m 256 m 512 m 1024 m 2048 m
-4 15 30 60 2 m 4 m 8 m 16 m 32 m 64 m 128 m 256 m 512 m 1024 m
-3 8 15 30 60 2 m 4 m 8 m 16 m 32 m 64 m 128 m 256 m 512 m
-2 4 8 15 30 60 2 m 4 m 8 m 16 m 32 m 64 m 128 m 256 m
-1 2 4 8 15 30 60 2 m 4 m 8 m 16 m 32 m 64 m 128 m
0 1 2 4 8 15 30 60 2 m 4 m 8 m 16 m 32 m 64 m
1 1/2 1 2 4 8 15 30 60 2 m 4 m 8 m 16 m 32 m
2 1/4 1/2 1 2 4 8 15 30 60 2 m 4 m 8 m 16 m
3 1/8 1/4 1/2 1 2 4 8 15 30 60 2 m 4 m 8 m
4 1/15 1/8 1/4 1/2 1 2 4 8 15 30 60 2 m 4 m
5 1/30 1/15 1/8 1/4 1/2 1 2 4 8 15 30 60 2 m
6 1/60 1/30 1/15 1/8 1/4 1/2 1 2 4 8 15 30 60
7 1/125 1/60 1/30 1/15 1/8 1/4 1/2 1 2 4 8 15 30
8 1/250 1/125 1/60 1/30 1/15 1/8 1/4 1/2 1 2 4 8 15
9 1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4 1/2 1 2 4 8
10 1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4 1/2 1 2 4
11 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4 1/2 1 2
12 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4 1/2 1
13 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4 1/2
14 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8 1/4
15 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30 1/15 1/8
16 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30 1/15
17 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60 1/30
18 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125 1/60
19 1/8000 1/4000 1/2000 1/1000 1/500 1/250 1/125
20 1/8000 1/4000 1/2000 1/1000 1/500 1/250
21 1/8000 1/4000 1/2000 1/1000 1/500
EV 1.0 1.4 2.0 2.8 4.0 5.6 8.0 11 16 22 32 45 64
f-number

If you want a quick guide you can use the timings shown below

  • 1/500 – 2s
  • 1/250 – 4s
  • 1/125 – 8s
  • 1/60 – 16s
  • 1/30 – 32s
  • 1/15 – 64s
  • 1/8 – 2m
  • 1/4 – 4m
  • 1/2 – 8m
  • 1s – 16m

For long exposures I would also recommend using a cable release or similar and don’t forget your tripod.

I hope you find this article helpful.